Maru Summary Pdf

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But the story is really about how Margaret's presence changes the village. As Maru had hoped he would, Mol eka turns to Dikeledi, feeling he has lost Margaret forever. The author explored religion and superstition, prejudice, sexism and even astrology. Racial ideology becomes perverse, a type of fetish. However ii do not quite understand why you failed to mention the impregnation of Dikaledi, ii think this has to do with the fact that she is your favourite character.

Therefore there is often some irony i nvolved in the relationship of the novel heroine to her story. And Bessie Head writes with an elegant hand. What Head accomplishes, then, on the level of setting immensely complicated beings to walk an incredibly familiar path, is nothing new. Having nowhere to sta y, Dikeledi arranges for Moleka, a tribal superior, and the man that she in fact loves, to provide Margaret with accommodation.

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He provides Margeret with a bed, which is taken from her after it is revealed th at she is a Bushmen, then uses his sister, Dikiledi, to commission sketches, whi ch he keeps for himself. Bessie Head, clearly, has talent. But his refusal to be as daring and visionary as his friend prevents him from following his heart. She marries Maru the god, and flees with him far away, for Who else made a god overnight but a goddess?

Then there's Maru who knows that Margaret loves Moleka, but sacrifices his friendship with Moleka to prove something to himself and his people. Maru's ideological call was, and still is in South Afri ca, nevada state constitution pdf quite revolutionary. Moleka comes to surpass Maru.

Maru isn't so much taking a stand against racial prejudice as he is taking advantage of it. It's not good to wear your heart on your sleeve. Reading this book is a spiritual experience not limited to the book's African feel. There is a plea sure in critical hegemony that is particularly disturbing.

On top of this is a complicated love quadrangle and the provincial chief Maru who finds ways to get what he wants. Since he will be chief, he feels this is his r esponsibility to break away from the chains of colonialism and bring in a new da y for his people. Unfortunately, I didn't love the book's flow. It might se em a gross generalization unless you are directly engaged with Southern African culture, but it is not a generalization by any means. This view is seen as normative, and a ny criticism outside it must struggle to legitimize itself, or, more commonly, s ink into the oblivion of not being read, not being important.

This resulted in the criticism of South Afri can literature, a view that all text is ideology, and that the value of the text i s ultimately to be gleaned as an allegory to the utopian state. It was claimed that her mother was mentally ill so that she could be sent to a quiet location to give birth to Bessie without the neighbours knowing. Recommended to me was Bessie Head, one of Africa's leading women authors. And in Southern Afri ca, the most important ideology is racial ideology.

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In the end, my favorite character in the novel was Dikeledi. When the missionary is called back to England she leaves Margaret to fend for herself as a teacher in a remote village. You also wipe your nose there.

Head worked for a while as a gardener, and later in her career, she supplemented her writing income by selling produce from her g arden. Then there's Maru who knows that Margaret loves Moleka, but sacrifices his friendship with Moleka Reading Maru is traveling beyond the world of prejudice to acceptance.

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In a sense she could be any one of the many sparks that create change and evolution. In the love story and intrigue that follow, the author's exploration of racism draws upon her own experiences of growing up in South Africa. The four entangle in a story about love, power, race, class, sex, sexism, slavery, social stigma, oppression etc.

The two of them have become outcasts in their small African society, and we know from the first pages that both suffer from their fates. But when she writes this love story, the tale isn't void of her observations on social and political climate of Botswana.

Bessie's writing is engaging and insightful. It even had beautiful prose like I really appreciated Maru's character when it came to his thoughts and way of mind.

Indians looked to Africans, South Africans looked to other parts of Africa and Botswana looked at the Bushmen tribe and when it came to Bushmen, they had nothing to look back on. We have fallen suddenly into a sort of discursive void, where no discours e is possible. Maru sees a chance in a marriage with Margaret to change the prejudices and racial divisi ons among the people in Botswana. Criticism in this respect becomes inherently solipsistic, a repetition.

It seems even more so to me today. Describing Maru's ideology as liberal platitudes as has been said is a s ort of selective blindness to the realities of the New South Africa, and the con temporary goals of the Rainbow Nation.

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He seems to act not out of love but out of desire for his place in society, ironically being cast out from society even as he makes that choice. Art is art, and ideology is ideology, in point of actual fact. She was constantly in tears, seeing Moleka galavanting with other women.

Maru by Bessie Head

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Her first job is in a remote village where she knows no one, and many of the locals are horrified when they learn of her ethnicity. And are relentless in their questioning of assumptions and traditions that African hold dear. Margaret Cad more arrives, and is utterly disgusted by the discriminative attitudes of the Ba tswana nurses who have been forced to help prepare the body for burial. What tools does ethnic ideology really give us as critics? She becomes close confidantes with senior teacher Dikeledi, who tells Margaret to be proud of being Masarwa.

California Shakespeare Theater. Dikeledi is Maru's sister, and they are both village royalty. In many ways Maru is theorizing a discourse against racial ideology, but the tex t becomes more valuable in an ethical sense, in the sense of what is important t o the needs of the New South Africa.

The rivalry between Moleka and Maru, however, boils until the novella's denouement. Maru has succeeded in his betrayal of Moleka, and moves to claim Margaret as his wife.